This encounter sets off a long chain of events and encounters, as Sophie encounters a witch (whose curse on Sophie ignites the rest of the film), a talking flame, an apprentice, a scarecrow with a turnip head and of course, the enormous moving castle. Though the title suggests otherwise, Howl’s is really about Sophie, a young woman working in a hat shop who encounters a mysteriously handsome stranger in the streets one day. Yes, the mood for the most part is grim throughout the movie.
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It can’t be underestimated how the wide range of colors used in this film really help things stand out even more and accentuate the fantastical aspects of this film. Studio Ghibli shows no signs of slowing down When it comes to creating gorgeous panoramic scenes, diverse character designs and finishing things off with a flourish when the colors are applied. What strikes me about Howl’s Moving Castle is just how colorful it is. (There is a sequel to Howl's Moving Castle Castle in the Air.While computer animation is kicking hand drawings to the curb in the U.S., it’s nice to see that the classical animation form still thrives in Japan. If you are a Miyazaki fan, hie thee to a library or bookstore try Ms Jones' books. Now is a great time, as many of his films are available on home DVD. Then, if you are a Diana Wynne Jones fan, check out the rest of Miyazaki's films. (I did miss the 7-league boots) My advice: go see the movie. Fairfax are also missing, but elements of each are woven into other characters in the movie Michael (Markl) is a different age The battles magical and military are quite different (but equally spectacular) The dog appears at a different time, with a different, yet just as mysterious, agenda The scarecrow's relationship with Sophie is different Thelevel of technology is different. I've tried to phrase them carefully to avoid spoilers for either fans of Ms Jones's work who have yet to see the movie, and those who have seen the movie and have yet to read the book: Why the witch bespells Sophie Where the door opens when the dial points to black Sophie's sister Martha, and the plot line involving sister Lettie are not in the movie Mrs. For those who wonder, here are the differences between the movie and the novel. Much like the 2004 version of Peter Pan much was changed, but the soul is the same.
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Think of it as the Series 12C version (for those who have read Ms Jones' Chrestomanci books.) The main elements are there, some re-arranged, some changed, yet with a full understanding of the original. The soul of the story is intact, Sophie and Howl and Calcifer are nearly as I imagined them. I began to pace the floor in anticipation of the movie. His movies share a lot with her novels a whimsical sense of humor, impossible to pigeonhole into a category, magic and mischief, and a firm respect for the audience's intelligence. Then I saw Spirited Away, Princess Mononoke, The Cat Returns, and Kiki's Delivery Service.
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I really wondered how it would all come out translated into Japanese.
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This story (as all of her stories) revels in word play. Ms Jones refuses to allow her imagination be neatly pigeonholed as hard sci-fi or straight fantasy, juvenile or adult. The book (one of my very favorites, which I re-read at least once a year) takes several fairy-tale conventions and merrily turns them upside down. When I read some four years ago that Diana Wynne Jones had sold the rights for Howl's Moving Castle to a Japanese animator, I wondered.